It's easy to think of the beginning of an improv scene as being limited to the first line of dialogue (or initiation). I think it is a little more than that. Here are the ingredients of what I would say goes into the starting point for an improv scene:
When starting a scene try to answer the who what when where why how in the first sentence or two. You’ll notice good improvisers start scenes with direct statements, not questions.
When the scene hits a funny moment (or stalls out), someone not currently in the scene will come from the back or side line and wipe the scene. Everyone that wasn’t in that scene should be picking something from it to A to C and then use that as potential inspiration for the next scene.
But in improv we say the opposite of what we would say in real life, “go there.”, rather than don’t go there. Blocking at its simplest levels involves saying “no,” or avoiding a subject.
What are different ways of starting off? This episode we delve into the essence of what makes a good scene start. Guest Rob Norman shares his wisdom on the importance of the "first breath" of a scene, the power of emotions over words, and the necessity of making bold choices on stage.
Saying “yes” to the reality presented by other performers. Doesn’t mean always literally saying “yes”, saying “no” can be a way of accepting an offer and advancing a scene. Moving the scene forwards into the action and future of the characters.
Many (but not all) scenes are about a conflict of some sort. If there's no conflict, the scene could still be entertaining, but the narrative will be uneventful.
Improv prompts are designed scenarios that allow actors to improvise freely, helping those who may tend to overact to instead engage more naturally with the circumstances presented. This approach fosters a more genuine style of performance.
Improv groups, or “teams,” usually begin by taking a one word suggestion from the audience. That suggestion inspires a collection of scenes that comprise a “piece” or “form.” Think of a form...
I guess a less subtle example was talked about on Radiolab: TJ and Dave did a scene where TJ is trying to hype up Dave to go confront his boss. After a couple of exchanges TJ says, "No, seriously, if you think you're the best shortstop for the office softball team, go say it to his face."
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